 The Divine Miss K
A Column by J. Kim
What's
the Sound of White Men Rapping?
Rap music was
created originally, as a freedom of expression
among inner city African Americans and Latinos.
Then many African American artists used it to
express their disenfranchisement (one in four
African American males will face either prison or
probation in their lifetime) in U.S. society. It
also painted a picture of the lives of some
African Americans on the streets in gangs. The
genre was protest. Public Enemy is not Public
Enemy without the message. The message was
intrinsic to the medium, as are similar genres,
such as folk, reggae.
If the
government had copied Bob Dylan's style during the
Vietnam War to write pro-war songs, folk artists
would have rightfully been indignant that their
genre and their existence was being stolen and
mocked. If punk music were used to spread
capitalist propaganda, Sid Vicious would return
from the grave to protest and may even bring
Nancy. Many critics accused Paul Simon of
manipulation when he capitalized on the work of
South African musicians in the name of
"world music." Consider Riverdance, and
set aside Michael Flatley for a moment, the whole
reason their arms stay planted during the dance
is because the Irish could only dance with their
feet so that the British soldiers would not
notice them dancing. If a British troop were to
start Riverdance 2, the Irish would have cause to
be offended. The oppression of the British
created that style of dance as the oppression of
white America helped create rap. Many people in
the African American and Latino communities have
accused rock and roll of basically stealing from
R&B. Elvis is the classic example of this. So
now, another genre created by African Americans
is now capitalized on by white Americans simply
because whites are still in the majority and own
the lion's share of wealth. Eminem is a manifestation of
this.
So, a white
artist who chooses this medium had better damn
well have respect for the people who came before
them and what the music represents. Eminem and Kid Rock make a mockery of the
genre. The Beastie Boys and Consolidated can empathize because
Jewish people faced an unthinkable oppression
during World War II. In other countries such as
France, the rap stars are black, such as MC Solar
(who also is far far far better than Eminem). Italians have started
making rap, but it comes across very disco-like.
Koreans have also jumped into the rap game;
people in that country have suffered tremendously
in the 20th century, so it makes perfect sense.
Though you can
sympathize with some of the issues of race, you
can never be another race. A white person can
never be black, no matter how hip and fly and
dope they think they are, they will never know
what it's like. So for the messages of rap to
reach a white audience is always a stretch; a
white audience can agree with the messages and
therefore support them, but the sentiments will
never be organic nor will they be internal. Just
as a male artist could never write about being a
woman and undergoing the physical and mental
experiences that it entails.
Back to the
artists in question. What is also extremely
objectionable is their popularity. African
American rap artists with 10 times the talent of
these people (EPMD, Boogie Down Productions, Eric
B and Rakim, Public Enemy, Dr. Dre) have not
received the monetary rewards and publicity as
has Kid Rock, who cannot hold a
candle to KRS One. This is disgusting frankly.
Suddenly, if a white person is doing it, it's
okay for America to like it. Not to start another
conspiracy theory, but a African American rapper
who showed the potential to achieve mass record
sales and wealth, Tupac, was gunned down.
Everyone is
judged on their race, gender, appearance. That's
human nature. And if you are in the dominant
group, white, which is suppressing other groups,
then you should be judged far more harshly. Truth
be told, I would despise both artists regardless
of their race because they are irritating and
talentless. Kid Rock is particularly
disgusting and threatening. Rap at one point in
time was trying to bring balance into power
structures, making the country more egalitarian. Kid Rock in particular uses it to
further put down a gender that in many ways is
completely disenfranchised also (women are not
incarcerated, but rather are the victims of
violent crimes - on in six women will be raped in
her lifetime). Rappers such as Easy E did the
same thing. He was disgusting and was shaming the
genre of rap as well with that bitches and hos
crap. Eminem similarly took the worst
rap had to offer by using the gang-banger
bravado. KRS One said, "Stop the
Violence" whereas Eminem seems to say violence is
good. Easy for him to say, as a white man he is
far less likely than an African American male to
be arrested for a crime, if arrested he is far
less likely to be convicted, and if convicted he
will receive a less severe sentence. So for a
white man to use a traditionally African American
medium to brag about violence is a slap in the
face to all the men and women pulled over for
things like "Driving while black" or
mothers who lost their sons into gang. While
racism disgusts me, the history of whites and men
in the United States also disgusts me; if someone
belongs to that privileged group, they should be
judged more critically when they exploit the
inventions of others. But I suppose that is the
American Way, Bill Gates made millions doing it,
and he's also a white man (though he could be an alien, there is that distinct
possibility).
Visit The J. Kim
Archives
Vanilla Ice Finds
Religion, Loses Mind (1998 Interview)
Other Stories by
J. Kim:
The Divine Rants,
Volume 5
Mad
as hell and unwilling to take it any longer, the
Divine Miss K rattles the cages of
Napster, Kid Rock, Eminem, Ben & Jerry's,
SUV's, Kathleen Hanna and Jesse Helms
J. Kim Takes a
Look at the JFK Jr. Legacy
JFK
Jr. "attempted to spark debates on real
issues, but instead, the media clamors for the
trivia, the banal and the pedestrian," says
J. Kim in The Divine
Miss K
WTO stands for
"Women are Terrorized and Oppressed"
J. Kim attends the WTO Labor Protest,
only to discover that, "in the eyes of men,
I am not an equal, I am not even human," in The Divine
Miss K
Mindless
Prejudice, Media Casualties
"Americans, and the American media,
are superficial, suppressive, mindless,
prejudicial, hateful cowards who are afraid to
think. To borrow from Malcolm X, Littleton was a
case of the chickens coming home to roost,"
says J. Kim in The Divine
Miss K
Sebadoh: On Race
Relations, Deaths in the Family, and Becoming a
Real Band
J. Kim talks to Sebadoh's Lou Barlow and
Jason Lowenstein about race relations, personal
politics, and becoming a "real
band"
Taking Back the
Airwaves
J. Kim talks to North Seattle Grassroots
Radio, Rain City's newest radio pirates
Here's My
Pain, Look at It...
Spoken word artist, Christien
Storm, has sprayed vocal graffiti in the cause of
self-defense for 10 years now. Not a moment of
that has been subtle. By J. Kim
Kathleen Hanna
Punches Back! - "Id
rather be scared and fight back than be some
dicks maid, babe or wife," says the
former Bikini Kill front, in this interview by
J. Kim
In Your Face
Rockcore
Murder City Devils' singer Spencer Moody
says he loves his work, in this interview with J. Kim
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KCMU DJ Prevents
Mass Slaughter
Morning radio personality, John Richards, wins
listeners with the unconventional formula of good
music and honest talk, by J. Kim
Vanessa
Veselka: Thought is Not Passe - The
songwriter, guitarist, and Bell front talks about
her upcoming solo album with J. Kim
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