 Second Degree Reiki
Practitioner, Gail Worley
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April
1999If I were to write my
autobiography (I've already had the title, Confessions
of an Ugly Creep, picked out since I was
18), I could envision my life story taking shape
along the lines of Fear and Loathing in Las
Vegas meets The Celestine Prophecy.
Which reminds me of this business plan I'm
currently brainstorming to liberate me from the
Golden Handcuffs of corporate wage-slave bondage
forever. As I blueprint or fashion this strategy
in my mind, I see the name in bold marquee
lighting: "Rock & Roll Reiki Master
2000"!
With the intent
being to continue my literary freelance escapades
while marrying my voracious appetite for rock
music -- and the accompanying lifestyle -- to the
seemingly contradictory spiritual path I do my
best not to wander far from, the realization of
Rock and Roll Reiki Master 2000 will see
yours-truly marketing my services as an advanced
practitioner of the healing art of Reiki in the
forum of actually going on the road with touring,
high profile rock bands. What could be more
exciting? I can't imagine.
Let's face the
music and dance: 90% of Rock stars are either
teenagers who never grew up or Prima Donnas who
smoke, drink, take drugs, stay up all night and
don't eat their vegetables (at least the one's I
like seem to be cut from that bolt of cloth).
After a typical night's binge of unbridled
debauchery, what hedonistic group of musicians
wouldn't absolutely love having their very own
touring Reiki practitioner at their beckoned
call? Rock stars like to be pampered and their
handlers need them to be alive, alert and in
coherent shape for the show. Reiki is perfect in
this situation because it not only relaxes and
promotes healing in the body but also calms the
mind and spirit, works on relieving the symptoms
of a hangover and, well, it feels like an energy
orgasm. Right on! Rock and Reiki go together like
McDonalds and red meat. I really think I've got a
winner with this idea.
For information
on how you can contribute to the furtherance of
the Rock & Roll Reiki Master 2000
agenda by either helping me write my business
plan, funding my Master level training this
summer or -- say, if you are Trent Reznor or a
member of Metallica -- getting me a gig with your
band, email pandomag@rocketmail.com. Rock & Roll
Reiki Master 2000 : Because Gail Hates Her Day
Job!
Undead
Undead Undead
One of the
coolest gifts I got for my birthday (besides the
two-headed dragon incense burner and the purple
velvet bra that I simply cannot stop looking at
myself in) is a book called The Vampire
Gallery: A Who's Who of the Undead by J.
Gordon Melton (Visible Ink Press, $19.95). I was
so excited to receive this book, I couldn't stop
shrieking and bouncing on the bed for a few hours
after opening the package. The only thing I love
more than vampires is...well...I just don't know.
While I'd never do anything as cheesy as wearing
fake fangs or changing my name to Morticia
Nightshade or something, this Big Book of the
Undead is yanking my chain big time. I love the
undead! Woo hoo!
The Vampire
Gallery is, in fact, the consummate reference
manual of Blood Drinkers, Hellraisers and things
that go bump in the night. Written by the same
genius who gave us The Vampire Book:
Encyclopedia of the Undead, a comprehensive
detailing of vampire facts such as terms, places
of import, organizations and other topical
Vampire related wisdom, The Vampire Gallery is
just crammed with spellbinding biographies of
Vampires, all of them -- from the obscure to the
legendary -- it's amazing! Barnabus Collins,
resident fanged-one of the gothic soap opera, Dark
Shadows: He's in here. Miriam Blaylock,
goddess of the undead featured in the greatest
Vampire movie ever made, The Hunger: In
here. Martin, geeky teenage Nosferatu of George
Romero's film of the same name: see page 275-277.
Even the most played-out vampires (Lestat and
Louis from Ann Rice's ridiculously over-hyped
novels) get their glory day on the pages of
Melton's exciting and ultimately thoroughgoing
Bible of neck biters. Melton even explores the
hypothesis that Batman, one of the most famous
comic book characters of all time, is based on
vampire legend. If you're somebody who never gets
tired of reading about Dracula and his minions,
I'll tell you right now, this book is to die for.
CD Review
of the Month: Gail Discovers a Swing band that
does not Suck!
Jet Set Six, Livin'
It Up (Mutiny)
Swing music is
lame city. There are no shades of grey when it
comes to my reaction to anything that sounds like
swing. Either a swing band is possessed of just
the worst, most uncouth name imaginable (Cherry
Poppin' Daddies; I can hardly write it let alone
say it) or their music is hopelessly derivative,
cheesy and awful. But Jet Set Six are different,
in that they are rock band who plays swing
(cringe) music that does not suck. I realize this
is hard to believe, but you are going to have to
take my word for it. I would not steer you, my
faithful reader, in the wrong direction when it
comes to a matter as close to the heart as what
music to listen to and what to throw against the
wall, sell for a buck on St. Mark's Place or use
as a beer coaster.
Jet Set Six
sound like They Might Be Giants shaking hands and
getting all friendly with Herb Alpert, which is
to say that their music is cool, clever,
energetic and fun. Your hipster quotient will
rise proportionately to the number of times you
let this disc spin around in your CD player while
you twist and groove to tunes of a carefree
lifestyle like "Perpetual Bachelor" and
"The Dame Who Knotted My Rope." It does
not matter if you are not a guy; ladies will be
won over by these tunes as well. What positions
the Jet Set Six apart from their decidedly
inferior peers is, quite simply, the fact that
they have both class and songs that rock so hard
they could crack a skull. Most of the same
ingredients are present that you'll find in other
bands of the swing ilk -- double stand-up bass,
golden-throated lead singer, not one but two
wailing saxophones, Buddy Holly style guitar --
but the Jet Set Six throw it all together in the
pan and cook up a whole new dish. Originality -
what a concept! "My Love" scores as one
of the best dance songs since "I Saw Her
Standing There" and just try to keep your
feet still and your mouth from singing along to
"Hotline." The lyrics are darn catchy
and easy to remember: "7-0-6-0-6-5-5/ In
area code 7-1-8." (Call it, leave a message
and tell them I sent you). Swing still blows, but
Jet Set Six are too cool for the room.
New York
City's Best Unsigned Band: Revealed
"You do not
know me," the email began cryptically,
"but I have been reading your column for
awhile. I run into your interviews online a
lot..." Was this just one more cyber stalker
looking for some hot virtual sex chat? No such
luck, but it wasn't the typical fan mail from
some flounder, either. This mild-mannered email
would pave the road to enlightened discovery of
the best-unsigned rock band in New York or maybe
in the entire tri-state area, or world for that
matter. The message of love came from Evan
Silverman, who plays bass for the NYC power pop
band, The Rosenbergs. Evan was a fan who
obviously knew my work, and obviously knew how to
"work it," if you know what I mean. I
wasn't surprised when he asked if he could send
me his band's CD. ("Flatter the girl writer
and she'll listen to your band's CD"). I
didn't promise to like it, but I agreed to give
it a fair shake. "If it doesn't suck the
paint off my walls, I'll see what I can do with
it," I told Evan.
It brings me to
a state of elated bliss to bear the news that The
Rosenbergs kick tight-pants-mod-boy ass with
their seriously sweet and crunchy tunes that blur
the boundaries between Sloan, The Posies and my
favorite (now sadly defunct) emotionally
purgative potential wrist slitters, Toad the Wet
Sprocket. The Rosenbergs' have a self-titled EP
thing out now featuring a pop song of epic
proportions-- and we're talking "All The
Young Dudes" and "Shake Some
Action" quality tunesmithing here --
unfolding as a euphoric concoction of chiming
guitar, soaring faux-Brit vocals by
drop-dead-hot-potato lead singer, David Fagin and
lyrics about the intangible essence of loss
called "Will You Drive Me?" What a
great song! If Oasis or Blur recorded this song
it would sell a gazillion copies. I could listen
to "Will You Drive Me?" all day and not
get sick of it.
The coolest
thing about the Rosenbergs is how a steadfast
confidence in their wildly flammable talent
allows them to get their songs played on genuine
prime time television super-shows like Dawson's
Creek and Party Of Five. And this band
is unsigned? It makes no sense. Other
songs I like more than candy and cute boys are
"Leech," which is really upbeat, and
the deliriously swoon-worthy, "Time
Warp." Which is reminiscent of the Dickies
circa 1979.
The Rosenbergs'
have endeared themselves to me in many ways
besides their music. I'd like to credit drummer,
Travis Huff, who is just the cutest thing in the
East Village, even if he is cursed with the
near-likeness of my moronic ex-boyfriend, with
teaching me a fun new saying, "Shut
UP," which can substituted for "No
Way" or even "No Fucking Way"
depending on how emphatic a point you need to
make. To learn more about how The Rosenbergs plan
to take over and make the Harvey Danger's and
Sugar Ray's of the world lick their boots, surf
on over to www.therosenbergs.com or download
their music from www.mp3.com. Watch for a tour
coming this summer with my other two favorite
unsigned bands, The Peegs and the Sweat Knickers.
Rock Star
Quote of The Month
"In New
York, you see some fuckin' guy shooting dope
outside of a transvestite club and it's lunch
hour on a Monday! And you're like "So
What?" New York and L.A. aren't like the
rest of the world; they're on their own little
time warp."
-- Nikki Sixx,
bassist for Motley Crue, to David Lee Beowulf.
The Worley
Gig: Mastering Obscure Alternatives
This column
regularly appears in both the NY Hangover
and Pandemonium
Online.
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