
The
Worley Gig:
Music and Mayhem in
New York City
by Gail
Worley
Impressed
March 1999
I have a real obvious
confession to make: Im not this way because I
hang out with rock stars; I hang out with rock stars
because I am this way. Ive been obsessed with
rock music since I was a wee lass, when my teenage
sister (whom I idolized) was just about as nutty over
the Beatles as you could get this side of the asylum
door. Keven (Yes, my sisters name is Keven.
Yes, my parents knew it was a boys name)
even attended one of their
rarer-than-a-free-thinking-Republican, riot-inciting
live performances, at L.A.s Dodger Stadium. Her
dominant power over my highly impressionable infant
brain not only spawned a pint-sized Beatlemaniac, but
she also cursed me with a predilection for "cute
boy bands" by "forcing me" to listen
to other limey mop-heads like Herman's Hermits (whom
she saw in concert with a lesser known British
quartet called The Who) and Chad & Jeremy.
Heaped on top of my education
in the Mersey Beat sound were liberal doses of
embarrassingly lame American teen idols like Dino,
Desi & Billy (a sort of Hanson of the mid-sixties
that included Desi Arnaz Jr. and the late Dino Martin
Jr.). My point is, what Im doing now -- writing
about music, going to clubs and surrendering to the
fact that my CD collection has completely invaded my
living space -- is just a continuation of what
Ive been doing since I was practically an egg.
Except now I get paid for it. And my parents
dont give me any crap. Im also a lot more
jaded than I was at age five, when I was totally
convinced I would grow up to marry Paul McCartney.
Some people were just born to rock and roll
(theres a song in there somewhere) and I am one
of them.
As a teenage glitter queen,
morphing into a safety-pinned punk and, later,
leather-clad headbanger, I rarely hung around concert
venues after shows to meet the musicians who were
giving me fever-dreams. The idea of actually
talking to someone I worshipped was just
unfathomable. Although Queens lead singer,
Freddie Mercury (RIP), should probably bear solely
responsibility for me being the eccentric freak I am
today, the possibility that, at 15, I could meet him
in person was like a proposed meeting with Jesus
Christ. I just never thought it could happen. Rock
stars were gods who did not walk amongst their
earth-bound fans.
What got me over the hump of
being too intimidated to meet rock stars was a little
scenario that played itself out back in the early
80s, when I watched the members of a "Very
Famous British Rock Band" (whose name Ill
omit here, for fear of being sued) change clothes as
I sat in their dressing room waiting to, well,
lets say "make an exchange." They
didnt care if I saw their bony asses, they were
just a bunch of guys who wanted to buy drugs.
Something about their uninhibited willingness to drop
trou in front of a strange woman so they could score
some speed just took the mystery -- the enigma, if
you will -- away from the whole situation. After
that, I had no problem approaching anyone I saw -- on
the street, in a store, wherever -- who I recognized
as a famous person itd be cool to say Hello to.
My maxim was, "Ill never see this person
again, so why not just do it?" Ask me
about the time I met Slash as we walked towards each
other on Venice Blvd. Im sure hell never
forget it. I was really high at the time. He probably
was too.
My first "Big
Superstar" interview found me alone -- in yet
another dressing room -- with Marilyn Manson and
Twiggy Ramirez. Just me and those two freaks.
Goldilocks, the Antichrist and his Court Jester. What
a way to lose your interview virginity. "Here he
is, Marilyn Manson, have fun!" Thats what
the publicist said to me before she shoved me in the
room and shut the door. Was I nervous? Oh, you bet
your sweet ass I was. He introduced himself to me,
"Im Marilyn Manson" and I think I
said "Hi, Im Gail" but who the hell
knows. All I was thinking about was the fact that I
was sitting a foot away from a guy whose bare chest
was covered with scars and superficial flesh wounds,
some still fresh from the previous nights show.
If I didnt have the whole thing on tape,
Id be hard pressed to tell you what went on
during the following half hour. You know what? Away
from the public eye, hes a totally normal
person. (Of course, this was few years ago, before
Manson was doing zany things like trying to kill an
editor for not putting him on the cover of a
magazine). To commemorate the occasion, I have a cool photo of me with
Mansons arm around my waist and another of me with Twiggy, on
display in my apartment. It was a great interview.
These days, I meet
stratospheres of full-on, proper rock stars. I
interview them in their hotel rooms, in record label
conference rooms, on the tour bus, in restaurants, in
the bathroom, wherever. I still get into meeting
musicians I admire, but I allow myself five minutes
of preparatory hysteria and then approach the
situation simply thinking of this person as someone
with the luxury of not having to work a day job, as I
must, to pay the bills.
One of the more surreal
experiences Ive had lately with the nature of
fame occurred over the course of a couple of days in
January. Taime Downe, a friend of mine from Los
Angeles, came to New York City with his band, The
Newlydeads, where they played a show at Lust for
Life. Taime was kind enough to contribute the
first of my monthly Rock Star Quotes in last
months column. In case you missed that, and
need the Readers Digest condensed version of
who he is, Taime fronted an L.A-based glam metal band
called Faster Pussycat back in the late 80s and
early 90s. They put out a few records on the
Elektra label, had a few hits and were featured in
the film, The Decline of Western Civilization Part
2: The Metal Years. After Faster Pussycat
disbanded, Taime switched musical alliances, toured
with an incarnation of Pigface and went on to form
the Newlydeads, who do the Gothic Industrial thing.
And you know that cant be bad.
Before the Newlydeads went on
stage, I found myself -- where else? -- in the
dressing room, chatting up Taime and his bandmates
while they put on their make up and got ready to
rock. As people drifted in and out of the very small
room, in walked Jessie Camp, professional sycophant
and wet-dream of the moment of MTVs corporate
hierarchy. Let me just kill the cat right now and
reveal that Camp is, in person, exactly like
he is on TV. I was absolutely aghast as I observed
him, rolling his head from side to side while moaning
"Taime, wow. Taime, wow," over and over. It
was right on the tip of my tongue to suggest that
Camp drop to his knees and give Taime a blow job
right there, but that would have been crass. Besides,
Id certainly never want to deny Taime his
hard-earned props. He may not be a household name,
but hes been in the business twice as long as
some of these fly-by-night media whores, is about a
million billion times more interesting to talk to
and, all that aside, is honestly a very nice, sweet
person. To me, hes just Taime. I get excited to
see him because hes a cool person whos
fun to hang out with; the fact that hes a rock
star is incidental.
In a related incident, I was at
Coney Island High with The Newlydeads a few days
later and -- I swear on a big stack of Bibles this is
really happened -- I actually bore witness to a guy
getting on his knees in front of Taime, to announce
that he couldnt believe he was meeting someone
whose former band opened for Motley Crue. Not to cut
anyone on all these sharp points Im trying to
make, but never, ever, get on your knees when a
handshake will suffice.
As long as Im up here on
this soap box, allow me to take full advantage of
this public forum to emphasize that if I hear one
more person pronounce his name as "Tie Me
Down" Im going to take out a big board and
smack some sense into his or her thick, Cro-Magnon
skull. Its pronounced "Tay-me" as in
"Tame Me Down," you know, because hes
so wild. Argh, grrr, somebody hand me a whip!
Rock Star
Quote of The Month
"In America its much
worse than what it is in Britain. I got tortured but
nowhere near what I would have got if Id lived
here. In England you have, like, a sandwich which is
a called a botty. So, I was just called
every flavor sandwich under the sun, you know,
"cheese butty." In England, a butt is like
the end of a cigarette or the harder end of an
object. Whereas, over here its just, like, your
ass."
- Guitarist, Graham
"Gizz" Butt of Janus Stark and The Prodigy,
on what it was like growing up with the last name
"Butt." (For more fun and informative
quotes by Gizz Butt, check out my interview with Janus Stark on the Pandemonium website right
now!)
Coming
in April: Find out
who will snag the coveted title of "Mr
Thing" of South By Southwest 1999, when Gail
travels to Austin, Texas for the annual Crown Prince
of All Music Industry Weaslefests!
The
Worley Gig: Its
night and I have tied my genius to my lunacy.
The
Worley Gig
regularly turns in both Pandemonium
Online and The NY Hangover.
To join The
Worley Gig Mailing List, just send
Gail an Email
Other Features
From Gail Worley:
Through
Enemy Lines -
Gail interviews first wave Britpunk
survivors, Janus
Stark
You
Am I: It's the Cream, It's the Crock - Fabu Aussie Tim
Rogers talks about The Convicts that are coming,
sugary pop, garagey stomp, and Hourly, Daily
life in the paid slumber party with Gail
Worley
Goo Goo
Dolls: Prepare to Get Dizzy - Gail
talks to
Robby Takac about City of Angels, hits in the five formats,
crap music and what chicks dig.
Nivek
Ogre's New Rx - No longer a Skinny
Puppy, this famed industrialist dispenses Ritalin
now.
Visual
Audio Sensory Theatre - Gail discusses
religion and revenge fantasies with Jon
Crosby, the aspiring Gothman with a VAST array
of sounds...
Dream
Punk or Noise Pop? - Gail goes to South
Park and Melrose Place with Carrie
Clark, art therapist and feedback diva from 16
Deluxe
God
Lives Underwater - "With a name like God
Lives Underwater, it has to be good," says Gail
Vintage
Jello Biafra - Gail's 1997
interview with the former Dead
Kennedy
Previous turns
of The Worley Gig:
The
Worley Gig #1--
Summer, The Rules
The
Worley Gig #2-- All Tomorrow's Parties
The
Worley Gig #3-- Weaselfest '97
The
Worley Gig #4-- How I Spent Summer
The
Worley Gig #5-- Random Excerpts From My Ass-Kicking
Life
The
Worley Gig #6-- Christmas Kicks Total Ass
The
Worley Gig #7-- She's About A Mover
The
Worley Gig #8-- The Goddess and Pig Watts
The
Worley Gig #9-- Outrageously Boss Records and What
Not to Do On a Date
The
Worley Gig #10-- Marilyn Manson: The Satanist in
Winter
The
Worley Gig #11-- A Mosquito, My Libido
The
Worley Gig #12-- Sex By SexWest 1998
The
Worley Gig #13-- I'm Only Numan
The
Worley Gig #14-- Marilyn Manson, Bauhaus Reissues
The
Worley Gig #15-- The Column of the Daves
The
Worley Gig #16-- A Girl's Gotta Make a Living
The
Worley Gig #17-- Intel Me Everything
The
Worley Gig #18-- Crushed Velvet
The
Worley Gig #19-- Bauhaus Live, Gail Out West
The
Worley Gig #20-- Two Motley Crue Cherries Broken
The
Worley Gig #21-- It's the End of the Year As We Know
It, and I Feel Fine
The
Worley Gig #22-- Single White Goddess Seeks Valloween
Companion
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