The Gits

Seafish Louisville

Broken Rekkids

CD Review by Dave Liljengren

Made up primarily of live tracks recorded at a 1993 concert filmed for the Seattle music scene documentary, HYPE!, Seafish Louisville is a tall-walking punk disc and a powerful record of just how strong a live band the Gits were in the months before the abduction, rape and murder of the band's lead singer, Mia Zapata. Though the HYPE! producers had not intended for the Gits to be in their film, last minute lobbying by the members of Seven Year Bitch and others convinced them to memorialize Zapata and her colleagues on celluloid. History will thank them, if it hasn't already, because the tunes on Seafish jump through the Hollywood 24-track with crystalline clarity. Zapata's cathartic wail-- persistent, indignant, emotive and supple-- rings out with a timeless immediacy. Guitarist Joseph Spleen cranks out a dynamic sequence of taut and ever-changing riffage as bassist Matt Dresdner and drummer Steve Moriarty keep the beat frenetic, metronomic, and urgent. Also included on the disc are Jack Endino remixes of three previously unreleased tracks, and remixed versions of songs from the band's first EP, of which only 800 were pressed the first time around. Seafish Louisville should be required listening for anyone who takes NW music seriously. It is an earnest, defiant and thunderous rock record by a skilled, resolute and impassioned band which was on the verge of nationwide interest when an anonymous-- still uncaught and still unpunished-- murderer brought it all to an end.

Also in Pandomag.com

The Best CDs of the Year 2000
...as voted by
Pandomag.com staff and associates

Toys in the Attic
Rock Stars from across the world remember their favorite Christmas toys, both hoped for and received, in The Worley Gig

Getting In Tune
Steve Stav reviews a brand-new Who tribute album

THE KLEMPERER'S NEW CLOSE
Captain Spaulding gives the lowdown on Colonel Klink and the late Werner Klemperer in Hooray For Me!

Abstract Confessions, Concrete Dreamscapes
Dave Liljengren reviews the new CD from
Tagging Satellites

The Ventures A Go-Go In The New Millenium
Don Wilson opens a pipeline to rock history and looks to the 21st Century, by Steve Stav

Elliott Smith Vs. Himself
Although he doesn’t like to talk about it (and who in his right mind would?), Mr. Smith has tales of serious substance abuse, suicidal flings, and broken noses in his past.
By Sean O'Neill

Night of the Living Rock God
Gail Worley remembers Alice Cooper and shares the wit and wisdom of the Cult's Ian Astbury in The Worley Gig

Our Little Polly Jean is in Love
Or at least she’s made an album as though she were. Norm Elrod reviews PJ Harvey's Stories From The City, Stories From The Sea

Most Artists Would Kill for a Single Moment of Transcendence
U2 has managed three albums worth. Norm Elrod reviews U2's
All That You Can't Leave Behind

Long Live Teen Angst and Rock N' Roll!
Kimberly Reyes examines the imaginative power and raw sex appeal wielded by [The London] Suede

Lost Empires, Found Memories:
Joel R. L. Phelps and the Downer Trio
release a gripping new album,
by Dave Liljengren