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Novocain for the Soul
A CD Review
By Gail Worley

Starflyer 59
Everybody Makes Mistakes
(Tooth & Nail Records)

I remember the summer of 1996 like it was yesterday. The Eels had a popular song that was all over the radio and MTV. It wasn't your typical light-hearted, happy fun summer song about love or sunshine or getting-down or whatever. This oddly appealing, quirky song called "Novocain for the Soul" was a dark, bare bones metaphor for a deep, life-shattering pain that is much too difficult to revisit. The chorus alone could haunt you to madness if you let it.

"Novocain for the soul/
You better give me something to fill the hole/
Before I sputter out"

With a thorazine tempo and biting sardonic lyrics like "Jesus and His lawyers/Are coming back," "Novocain for the Soul" probably made a lot of people uncomfortable. To me, it was plaintive and beautiful and spoke specifically to a situation that was going on in my life at the time. Judging from the buzz created by "Novocain for the Soul," I'd bet this song connected with a lot of people who were looking for ways to fill the hole in their soul before they either went completely numb or just took themselves out. When a song triggers this kind of emotional catharsis, that is when a band begins to sell a lot of records. Music becomes the balm that heals the wounds no one can see.

Unfortunately, we also have the phenomena of what the LA post-punk band, X, called The Unheard Music: bands who make brilliant records, but who fail to gain much exposure. These bands either continue to struggle in the underground, hoping for a break (remember that REM made half a dozen records before they ever had a chart hit) or they give up and disappear completely. Most of the records on my year-end list fall under the category of the unheard music. This helps to illustrate the huge dichotomy between what is considered to be "best" by individual tastes and what is "popular" according to the mainstream, or lowest common denominator.

Starflyer 59 are a band from Orange County, California -- a region famous for punk rock, Disneyland and conservative Republicanism-- who make the unheard music. They've been at this "make a record/tour the country" thing for most of the 90's. Chances are you've never heard of them, and that is just a shame. Everybody Makes Mistakes, the band's fifth full length release, is an inter-album referential collage of songs that are individually eclectic, yet unified by Starflyer 59's instantly identifiable sound. Often compared to critical/cult favorites, My Bloody Valentine, for their woozy, shoe-gazer melodies and introspective lyrics, Starflyer 59 singer/guitarist/ring leader, Jason Martin, clearly draws from a lifetime of influence and experience. Martin's songs reflect universal ruminations of rejection and loss, joy and discovery with a seeming effortlessness and startling vulnerability. The sullen mood of "Play the C Chord" -- syrupy slow and seductively gloomy -- is offset almost immediately as it segue's into the brave-new-frontier feel of "No New Kinda Story" -- a deceptively upbeat song that sounds much like the first post-Joy Division efforts of New Order, as haunted by the ghost of Ian Curtis. Other phantom muses appear in the dark, carnival atmosphere of "No More Shows," where the spirit of Jim Morrison meets Marc Bolan somewhere on Love Street.

Martin owes a debt to Eric Carmen's "All By Myself" as he speaks of the "20 Dollar Bills" that never change your life, giving shape to thoughts and feelings of being trapped in a survival cycle, and the frustration and hopelessness that goes along with that. Right in the middle of everything, the melancholy, pastoral, "Just Try" (insert personal crisis of your choice here) puts an upswing on the wistful mood blanketing the work as a whole. The songs are all lyrically unspecific enough to represent any number of personal situations. In this way, Starflyer 59 is invested in taking the listener on a journey to the destination of one's own choosing and Martin knows you can't phone that job in. When he sings "You know we're going places/They don't want to go" on the minimal, gorgeous, "Going Places" it feels almost like a promise of salvation.

Starflyer 59's fifth album could be the one that lifts this exceptional band from cult status to greater recognition, from the realm of the unheard music to the music that changes lives. But it probably doesn't matter to Jason Martin if he sells 1,000 copies of Everybody Makes Mistakes or 10 million. Starflyer 59 will keep making pithy, gorgeous, almost hallucinatory pop music, and people will either get it or they won't. It is the struggle that makes the man.

Email Gail Worley

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