
Pinehurst Kids, Bugs In Amber, Fairgrove
Live at the Crocodile Cafe
March 23, 2000
Live Review by Grace Dangerpugg
There's still
magic in the night, kids. To be more accurate, I
should say that there's still magic in weeknights
at the Crocodile. On Thursday, March 23,
Pinehurst Kids, Bugs in Amber, and Fairgrove lined up on stage to
celebrate the release of Bugs in Amber's debut
CD, Rocketship Letters, and the result was
a solid night's rocking which explored three new
and varying directions in Northwest music.
Fairgrove kicked off the evening. Fairgrove's post-rock oeuvre is a
bracing mix of rough and delicate, loud and soft,
harsh and sweet. Keyboards intertwine with guitar
in a layered, song-driven mix that is often
melodic and always effectively dissonant. Bold
bass and innovative drumming give the combination
a solid rhythmic spine at times and a tense
metric counterpoint at others.
Led by their
anmimated keyboardist-singer, Jay Wesley
Harrison, Fairgrove pounded out a strong
performance of new material whose titles elude me
and less-new material, such as "Pigs Blood
Blue" and "Nantucket Sleighride"
from their soon to be released ep. Clad in a
bright orange t-shirt which proclaimed him
"Super Dad," Harrison bounded above,
below, and around his keyboards, as he sang. His
exuberance brought to mind Franz Liszt, if the
classical pianist had been possessed by the
disembodied spirit of Jerry Lee Lewis.
Next up was Bugs in Amber. A fine young beat combo
and a sweet bunch of kids, this seven person band
plays a lush, atmospheric pop. The standard
guitar, bass, drums lineup is augmented by
another guitarist, a keyboardist, a flautist, and
a violinist.
While Bugs in Amber singer Sonny Votolato
was far from expressionless as he led the band
through spirited versions of Rocketship
Letters' best tracks, such as "I Need a
Beverage" and "Friend or Foe," his
spotlight was nonetheless stolen by BIA's statuesque violinist,
Seth Warren. Flamboyantly working his fiddle for
every possible note, Warren came off as
orch-pop's answer to Niccolo Paganini. Romancing
the crowd with the mystique of the violin, Warren
drove one member of the crowd into such a lusty
froth they were moved to yell out, "Seth is
a sex-kitten." In response, BIA keyboardist, Dave E.
Martin quipped, "Shit, I got dibs on that
ass."
Enter Pinehurst
Kids. This Portland trio launched a six week tour
with their Crocodile appearance. Playing a
"fiery emo pop" (according to the
Rocket) that might have once been called garage
rock, and later would have been called punk rock,
and later still, alternative rock, this
precision-tuned rocking machine was hitting on
all cylinders. Led by lead singer Joe Davis-- the
Enrico Caruso of Portland's post-punk scene-- the
PKs lit up the night with a shimmering set drawn
from the songs on their new disc, Viewmaster,
including the title track, "Burn Alone"
and "Pretty Whistle."
This show didn't
change the world, but it was a solid evening of
great music by three up and coming bands, and you
can't complain about that.
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