Modest Mouse -
The Lonesome Crowded West

CD Review by Claude Iosso

Modest Mouse promised a lot last year with a first album that was dreamy and dramatic by turns, a spirited argument for a neglected genre, punk pop. On 'This is a Long Drive for Someone with Nothing to Think About', Isaac Brock bellowed and whined over beautiful guitar harmonics.

Brock's band has kept its pomise with The Lonesome Crowded West (Up), a rawer product still packed with catchy melodies. The 74-minute compact disc is This is a Long Drive on steroids. The ranting is more desperate, the sad songs more wistful and the guitar often heavier and more assaultive.

With their tortured vocals and songs that switch from sweet to surging, the trio from Issaquah, Wash., has invited comparisons to the Pixies, Built to Spill and Talking Heads. Modes Mouse served notice that they would go in a grungier direction with their 1997 ep, The Fruit that Ate Itself (K Records). The boys dropped some of the shimmer that marked their earlier work for a dirtier guitar sound. They even pitched in some rap and record-scratching.

Modest Mouse embraces melody again on Lonesome Crowded West, but they're certainly not domesticated. Brock, always a convincing apostle of Black Francis, has never sounded more savage than in "Cowboy Dan" and "Doin' the Cockroach," two of the album's outstanding cuts. From the haunting harmonics-laden opening of Cowboy Dan, Brock bursts into a chant about a "major player in the Cowboy Scene. He goes to the reservation, drinks and gets mean. He's gonna start a war." You feel the shots about to fire.

In their short but prolific two-year recording career, Modest Mouse's punk rages have always been balanced by melodic yearnings. On the new record the songs are six minutes are six minutes or longer, each crammed with pretty as well as bitter passages. Brock is an imaginative lyricist and he conjures images that are powerful and evocative, even when they are too bizarre to fully understand, as in "Teeth Like God's Shoeshine."

"Here's the man with teeth like God's shoeshine
He sparkles, shimmers, shines
Let's all have another Orange Julius
Thick syrup standing in lines
The malls are soon to be ghost towns
So long, farewell, good-bye."

Lonesome Crowded West is not a perfect cd. Modest Mouse's tendency toward excess produces "Truckers Atlas," an energetic piece that meanders into irrelevance over 11 minutes. Still, with its passion and hooks, this is among the best discs to come out this year.

Claude Iosso reviews The Moon and Antarctica, by Modest Mouse

Click here for Claude Iosso's 1997 Modest Mouse Interview

Check Out Our Incredible Makers Photos!

Also at Pandomag.com

She’s the Boss
Gail Worley interviews
Christina Martinez of Boss Hog

The Flaming Lips' Flying Audiophile Circus
"Talking with Wayne Coyne about the band's evolution is like being guided through a minefield of entertainment possibilities" says Brian Charest

JOHN CUSACK TAKES THE LAST TRAIN TO GUYVILLE
High Fidelity gets high marks from Captain Spaulding in
Hooray For Me!

Cerys Matthews, Siren of Catatonia
Is this fetching femme the next Britstar in line for huge US adoration? Come and see, says Reef Valmont

Death Cab for Cutie
How a Random T-Shirt Slogan Turned into One of the Best Pop Albums in the Past 10 Years, by
Stephanie Pure

Wake Up, Sleepyhead
Spyglass waxes melancholic and rocks boldly on their new disc, in this
CD Review

The Roar of Le Tigre
Amy Schroeder
talks with Kathleen Hanna, Sadie Benning, and Johanna Fateman of Le Tigre about Film, Feminism and
Rockable Tunes

I Am Shelby Lynne
Todd Weber reviews the latest disc from this alt.country artist known for sensual curves and
musical curve balls

Novocain for the Soul
Starflyer 59's
Everybody Makes Mistakes is some "pithy, gorgeous, almost hallucinatory pop music, and people will either get it or they won't," says Gail Worley in this
CD Review

Jeremy Toback: Going Places
Gail Worley talks to this True Fiction songwriter about his secret for unlocking the
creative unconscious

Peregrine Soaring
Amy Schroeder talks to Tara Jane O'Neil of Rodan, Retsin, and The Sonora Pine about her new album,
Peregrine